Wall of crochet corals at museum frieder burda.

Five Fathoms Deep coral frieze from the Baden Baden Satellite Reef, at Museum Frieder Burda (Germany, 2022)

Photo © Institute For Figuring
fine crochet doilie in red yarn

Tatted lace doilie by Getrude Krichau Anderson, commissioned by the IFF as part of the Fohr Satellite Reef.

Photo © Institute For Figuring
crochet coral sculptures

Coral Forest – Helsinki, crocheted from recycled plastic. A collaboration between Christine and Margaret Wertheim and the Helsinki Satellite Reefers, hosted by Helsink Art Museum and Helsinki Biennial 2021.

Photo © Institute For Figuring
Pink and orange reef scultpture against dramatic blue background

Pod World – Hyperbolic, at the 2019 Venice Biennale. Crochet pieces by Christine Wertheim, Margaret Wertheim, Anitra Menning and Heather McCarren.

Photo courtesy La Biennale di Venezia, by Italo Rondinella.

Pod Worlds and Gold Reef at Schlossmuseum Linz, (Austria, 2024)

Photo courtesy Schlossmuseum Linz, by Michael Maritsch
small vitrines of crochet corals in an art gallery

Pod Worldsat Museum Frieder Burda (Germany, 2022).

Photo by Richard Neilsen
Reef sculpture closeup

Bleached Reef – detail, at the 2019 Venice Biennale.

Photo courtesy La Biennale di Venezia, by Italo Rondinella.
Reef sculpture

Pod World – Plastic Fantastic at the 2019 Venice Biennale. Pieces crocheted by Christine Wertheim and Kathleen Greco, resting on a bed of “plastic sand” gathered from Kamilo Beach, Hawaii by Captain Charles Moore, discoverer of the Great Pacific Garbage Patch.

Photo courtesy La Biennale di Venezia, by Italo Rondinella.
installation of huge crochet coral reef sculpture

Baden Baden Satellite Reef at Musee Cantonal des Beaux Arts (Lausanne, Switzerland, 2024)

Photo © Institute For Figuring
huge gallery installation of crochet coral reefs

Baden Baden Satellite Reef at Musee Cantonal des Beaux Arts (Lausanne, Switzerland, 2024)

Photo © Institute For Figuring
detail of crochet corals

Baden Baden Satellite Reef (detail) at Musee Cantonal des Beaux Arts (Lausanne, Switzerland, 2024)

Photo © Institute For Figuring
crochet coral artworks

Austrian Frieze 2 and Steel City Reef at Schlossmuseum Linz (Austria, 2024)

Photo © Institute For Figuring
crochet coral artwork in orange color

Austrian Frieze 2 (detail) at Schlossmuseum Linz (Austria, 2024)

Photo © Institute For Figuring
crochet coral reef - large-scale wall mounted artwork

Austrian Frieze at Schlossmuseum Linz (Austria, 2024)

Photo © Institute For Figuring

Pod Worlds and Austrian Frieze at Schlossmuseum Linz (Austria, 2024)

Photo courtesy Schlossmuseum Linz by Michael Maritsch
Coral reef made from beads on top of smooth stones and a dramatic black background.

Beaded Jellyfish by Vonda N. McIntyre, at Science Gallery, Dublin.

Photo © Institute For Figuring
Reef sculpture in gallery.

Bleached Reef, at the Museum of Arts and Design (NYC).

Photo by Jenna Bascom for MAD.

Traditional lace doilies and plastic hyperbolic doilies, with 3D printed hyperbolic model by David Bachman.

Photo © Institute For Figuring
woman standing in front of a wall of crocheted corals

Five Fathoms Deep coral frieze from the Baden Baden Satellite Reef, with Romina Stahl.

Photo © Institute For Figuring.
Reef sculture with wall text in the background, which reads:

Coral Forest – Stheno, at Museum of Arts and Design (NYC). Work from the collection of Jorian Polis Schutz.

Photo by Jenna Bascom for MAD.
Reef sculpture in gallery with the walltext:

Coral Forest – Medusa at Lehigh University Art Galleries.

Photo by Stephanie Veto for LUAG.
Reef sculptures in glass vitrines in gallery

Pod Worlds at Museum of Art and Design (NYC).

Photo by Jenna Bascom for MAD.

Pod World – Plastic Fantastic, featuring corals crocheted around found plastic water bottles by Nadia Severns, at Mary Porter Sesnon Gallery, University of California Santa Cruz.

Photo courtesy Institute for the Arts and Sciences, UCSC.
Chalkboard with drawings and writing explaining the difference between Euclidean and hyperbolic space

Mathematics Blackboard, at the 2019 Venice Biennale.

Photo © Institute For Figuring

Early crochet corals by Margaret and Christine Wertheim.

Photo © Institute For Figuring by Alyssa Gorelick.